Animated Trailer for Retribution

Animated Trailer 



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Retribution Synopsis and Cast of Characters, November 22, 2026, Encore Performance

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  🎬 RETRIBUTION: A MURDER MYSTERY  A dark comedy of secrets, scandal, and second acts... (supported by)    and healthcareforchange.org (HCFC) All profits go to HCFC Written by: Suneeta Misra  Directed by: Suneeta Misra  Script Development: Isha Misra, Uday Misra, Sangeeta Agrawal, Meera Narsimhan Supported by: Ranjita Chakravarty & Meera Narasimhan    Producer- Spectromatics LLC/ Prabhakar Misra Technical Director: Sujoy Lahiri  Stage and Lighting Design Paresh Parikh Writer's Center Technical Support - Mathew Cheney Usherer and General Support: Aditya Lahiri and Avi Patel Supported by the Arts and Humanities Council of Montgomery County (AHCMC) and healthcareforchange.org   All profits will go to Healthcare for Change.   Additional Support: Senior Connection of Montgomery County                                    ...
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Retribution: Encore Performance: November 22nd, 2026, 3 - 6 PM, at Writer's Center, Bethesda

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Retribution:  "Old grudges die hard and some… not at all." Retribution is a dark comedy in the tradition of Agatha Christie. It’s about four senior South Asian actresses who have fallen on hard times. Long simmering rivalries and secrets lead to conflict and murder .   The question is: Who hated the victim enough to murder her? For more details click on the QR code: Synopsis This is a dark comedy loosely inspired by “Knives Out.” When a body is discovered, the police detective assigned to the case suspects the victim’s poker partners who meet regularly but did not always get along with each other. Sheela, Rani, Lalita, and Emily are erstwhile South Asian American actresses living on the fringes of Hollywood, who have long battled discrimination, financial hardship, and loneliness. There is a long simmering rivalry and anger between them and especially towards the victim who was known to be indiscriminate in her choice of lovers. There is also Mary, a maid in Rani’s hou...
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